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Mathematics |
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MATH - 8243 Partial Differential Equations (3)
Continues the study of differential equations at the undergraduate level. This course covers boundary value problems, wave and heat equations, Sturm-Liouville theory, and the Dirichlet problem. Students will find that understanding these traditional problems allows them to analyze partial differential equations arising in many fields from science to finance.
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MATH - 8250 Applied Statistics - Time Series (4)
Provides a calculus-based examination of topics in mathematical statistics and its applications including multivariable distributions, transformations of variables, order statistics, the Sampling Distribution Theorem, the Central limit Theorem, estimation, hypothesis testing, analysis of variance (ANOVA), non-linear regression, simple and multiple regression, non-parametric statistics, Wilcoxon tests, the Theory of Statistical Inference, Bayesian estimation, and asymptotic distributions of maximum likelihood estimators.
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MATH - 8350 Foundations of Actuarial Science (4)
Provides a comprehensive study of applications of calculus, probability, and statistics to actuarial science and risk management. Prerequisite: Prerequisite: MATH - 6557 Probability (3) or equivalent
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MATH - 8450 Theory of Interest (4)
Presents topics in financial mathematics found on the second exam of the Actuarial Societies: interest rates, annuities, accumulation functions, amortization schedules, present values, future values, stocks, bonds, and derivatives.
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MATH - 8505 Advanced Probability (3)
Provides a calculus-based foundation in the principles and theories of probability and statistics with an emphasis on mathematical reasoning and proof. Instructional Method: Offered face-to-face as lecture/discussion. Semester Offered: Fall.
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MATH - 8523 Financial Mathematics (3)
Provides a calculus-based examination of financial mathematics and its applications.
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MATH - 8623 Mathematical Modeling (3)
Explores applications of mathematics to the modeling of real-world phenomena. The students will rely on their knowledge of calculus, probability, combinatorics, and other mathematics to analyze data from real world phenomena, describe the model using mathematical language (i.e., create a model), and analyze the model in order to understand the phenomenon. Instructional Method: Offered face-to-face as lecture/discussion. Semester Offered: Fall. Prerequisite: Prerequisites: take MATH-6449 and STAT-6219 .
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MATH - 8700 Independent Study In Mathematics (1-4)
Includes individual reading, research, and/or education project in mathematics under the supervision of faculty. Requires permission of instructor and division chairperson. Instructional Method: Independent Study
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MATH - 8800 Mathematics Internship (1-4)
Designed to provide graduate mathematics students with supervised experiences in applied settings. Prerequisite: Prerequisite: Permission.
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MATH - 8900 Graduate Thesis Project (3)
Provides graduate mathematics students with the opportunity to synthesize and integrate their graduate work by developing and completing a research thesis or project. The subject of the thesis or project should be consistent with the student’s goals and faculty expertise.
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MATH - 8950 Graduate Seminar (3)
Provides the opportunity to provide a seminar class, investigating a topic in mathematics. The seminar topic will provide evidence of the ability to understand and synthesize the chosen topic.
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MATH - 8970 Graduate Capstone Internship (1-4)
Provides graduate mathematics students with supervised experiences in applied settings. Prerequisite: Prerequisite: Candidate status and permission of advisor.
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MATH - 8990 Research Presentation (1)
Provides graduate mathematics students with the opportunity to present an oral and written account of their research/project, which will be evaluated by the research advisor and research committee. Writing format will follow theses/project guidelines for graduate work. The oral presentation will follow a format consistent with presentations of research papers at professional meetings and will be evaluated by the research advisor and research committee. Research presentations will be open to all students and faculty. Students should enroll during the final semester of their research of the semester of their graduation.
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MATH - 8999 Directed Scholarship (1-2)
Under the supervision of a graduate faculty member, students register for this course to maintain active enrollment in their graduate program while completing requirements for their degree and must have received a grade of “CR” in the designated capstone course, MATH-8900. Note: This course is variable (1-2) in credit hours, repeatable (not replaceable) and is P/NC option.
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Media Communications |
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MCOM - 4731 Screenwriting (3)
Introduces principles of writing documentaries and drama. Including outlines, character descriptions, scenes, and sequences. Equivalent to MCOM-5731, MCOM-531. Prerequisite: Prerequisite: take MCOM-4740 .
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MCOM - 4732 Writing for Film and Video (3)
Advanced script-writing class for students who understand terminology, production fundamentals, and creating visual sequences for film. Equivalent to MCOM-532. Prerequisite: Prerequisite: take MCOM-4731 .
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MCOM - 4734 Video Production Editing (3)
Examines theories and techniques of non-linear digital video editing. Explores aesthetics and techniques of editing for film and documentary. Equivalent to MCOM-5734, MCOM-534.
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MCOM - 4735 Documentary Filmmaking (3)
Considers non-studio production using portable digital video equipment. Provides practical exercises in the development and production of independent broadcast documentaries. Equivalent to MCOM-5735, MCOM-535.
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MCOM - 4736 Producing (3)
The art of developing and financing film and television productions, including the optioning of media properties, employing above-the-line personnel, and securing the involvement of broadcasters and distributions. Equivalent to MCOM-536. Prerequisite: Prerequisite: take MCOM-4740 .
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MCOM - 4740 Television Production (3-4)
Presents techniques in digital video production, including camera operation, lighting, and audio acquisition. Productions involve the designing, writing, and directing of short-form digital projects. Equivalent to MCOM-440.
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MCOM - 4741 American Cinema (3)
A film studies course that covers American film history from the silent era to the present day. Students will learn how American films reflect and shape popular culture, the basic technical and critical vocabulary of motion pictures, how the technology of cinema relates to film art, the economic structure of the film industry, and how to watch films actively and critically. Equivalent to MCOM-541.
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MCOM - 4743 History of Film (3)
Explores historical stages of film and research important styles, genres and movements in each period. Reviews films relationships to history, society, economy and culture.
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MCOM - 4746 Advanced Video Editing (3)
Addresses advanced techniques of non-linear digital video editing. Examines aesthetics and techniques of editing for film and documentary. Equivalent to MCOM-546. Prerequisite: Prerequisites: take MCOM-4734 .
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MCOM - 4750 Advanced Media Production, Post (4)
Focuses on sophisticated uses of production skills in a state of the art video facility. Particular attention is devoted to lighting, audio, and post-production. Students will produce a range of programs. Emphasis is placed on the conceptualization, planning, and execution of advanced television programs. Equivalent to MCOM-4739, MCOM-539. Requisite courses: Take MCOM-3740 .
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MCOM - 4777 Cinematography (3)
Focuses on the art and techniques of cinematography for drama film as they relate to applied camera operation and lighting, as well as the principals of the image making process, including still and motion picture photography. Equivalent to MCOM-577. Prerequisite: Prerequisite: take MCOM-4720 or MCOM-4735 .
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MCOM - 4800 Internship (1-4)
Designed to provide the media communications student with supervised practical experiences in applied settings, both on and off campus. Students may work in specialized areas in Governors State University’s Digital Learning and Media Design Department. May be repeated. Equivalent to MCOM-480.
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MCOM - 5005 Media Symposium (1)
A workshop exploring selected issues in depth. Faculty of the media program are joined by media professionals, social critics, community leaders, and public officials, as well as other university faculty. Equivalent to MCOM-505.
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MCOM - 6040 Film Seminar (3)
Analyzes style and influence of key contemporary independent narrative and documentary filmmakers. Note: may be repeated for credit with different topics. Equivalent to MCOM-540.
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MCOM - 6070 Media Workshop (3)
Produce a digital filmmaking project (group or individual) as a director, producer, cinematographer or editor. Equivalent to MCOM-5070, MCOM-570.
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MCOM - 6255 Broadcast Journalism (3)
Applies principles, craft, and techniques of broadcast journalism in a transmedia environment. By translating theory into practice, provides leadership experiences in field and electronic newsgathering and production for broadcast. Equivalent to MCOM-555.
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MCOM - 6275 Media Planning and Management (3)
Evaluates techniques, strategies, and problems of buying and selling advertising media time and space. Assesses the marketing mix, coordination of advertising with promotions and public relations, and the relationship between client and agency. Synthesizes mass media management issues dealing with organization, ownership, budgeting, research, production, equipment, markets, personnel, legal aspects, buying and selling of properties, business practices, and policies. Equivalent to MCOM-575.
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MCOM - 6291 Newspaper Practicum (1-3)
A practice-oriented course aimed at enhancing news processing and production skills. Theories of journalism along with the techniques of layout, design, style, headline writing, copy and photo editing, and dummy preparation for producing factual, concise copies for hard and online vehicles will be incorporated. Students are required to work with the student newspaper. Equivalent to MCOM-5291, MCOM-591.
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MCOM - 6355 Seminar in Advertising and Public Relations (3)
Explores key aspects of advertising and public relations research and theory. Focuses on aspects of consumer behavior and psychology, culture, political communication, contemporary issues, problems, and challenges through guided discussion and analysis of case studies. Equivalent to MCOM-655.
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MCOM - 6361 Advertising and Society (3)
Provides analysis of the role and principles of advertising in economic and communication systems. Investigates and applies the history, structure, and theories of advertising. Equivalent to MCOM-5361, MCOM-561.
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MCOM - 6451 Public Relations in Society (3)
Introduces the beginning student to the public relations profession and to the tools used by practitioners. Presents the history and philosophy of public relations, and trains the student in the techniques of preparing public relations plans to satisfy the needs of both private businesses and public institutions/organizations. Equivalent to MCOM-5451, MCOM-551.
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MCOM - 6452 Public Relations Case Studies (3)
Explores a variety of real-world application of public relations problems/opportunities through open discussion of real-world application of promotional communication concepts and principles as well as critical thinking, problem-solving and decision-making processes. Research, promotional communication strategies as well as management, resolution and communication theories are incorporated.
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MCOM - 6479 Creative Strategies in Ad, PR (3)
Examines the creative principles and strategies in dealing with the preparation of advertising and public relations. Emphasizes conceptual and creative thinking, research, design process, development and production of aesthetic and persuasive promotional messages. Equivalent to COMS-579, COMS-5379.
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MCOM - 6512 Media Communication Law (3)
Applies, evaluates, and synthesizes various contemporary issues in media law from the perspective of the communicator. Includes free speech principles, First Amendment issues, libel, broadcast regulation, right of privacy, copyright, and fair trial/free speech. Equivalent to MCOM-5512, MCOM-512.
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MCOM - 6560 Women in the Media (3)
Focused examination of the representation and function of women in the media, and women who produce media. The woman as media subject and producer is analyzed through feminist theoretical and methodological framework. Equivalent to MCOM-560.
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MCOM - 6565 Broadcasting in America (3)
Examines the history, development, structure, content, and influence of the American broadcast media within society at large. Evaluates theories and methods of examining programming and technology, economic and social consequences of broadcasting, the role of government regulation, and the future of the electronic media. Equivalent to MCOM-565.
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MCOM - 6702 Digital Film Production (3)
Experiences the entire digital filmmaking processes including pre-production, production, and post-production. Creates applied short digital film projects (narrative dram and experimental film). Equivalent to MCOM-5702, MCOM-502.
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MCOM - 6720 Audio Production (4)
[changed description] Analyzes and differentiates professional audio production principles and techniques common to all types of production including film, television, radio, and live sound. Primary focus is on developing and planning systematic approaches to sound design and post-production audio, including attention to production audio and post-production techniques. Equivalent to MCOM-520. Prerequisite: Prerequisite courses: Take COMS-3740.
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MCOM - 6730 Directing Drama for TV and Film (3)
The art and craft of directing dramatic film and television productions, including exercises in critical viewing, the drafting of shot lists and story boards, and activities such as blocking actions, shot composition, and continuity directing in a studio environment. Equivalent to MCOM-630.
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MCOM - 6732 Writing for Film and Video (3)
Advanced script-writing class for students who understand terminology, production fundamentals, and creating visual sequences for film. Equivalent to MCOM-532.
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MCOM - 6734 Video Production Editing (3)
Lab-based instruction and application of the theories and techniques of nonlinear digital video editing. Students conduct FireWire-based editing with DVCAM and Mini-DV source footage on Final Cut Pro platforms. Equivalent to MCOM-5734, MCOM-534.
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MCOM - 6735 Documentary Filmmaking (3)
The analysis, development, and production of independent broadcast documentaries. Equivalent to MCOM-5735, MCOM-535.
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MCOM - 6736 Producing (3)
The art of developing and financing film and television productions, including the optioning of media properties, employing above-the-line personnel, and securing the involvement of broadcasters and distributions. Equivalent to MCOM-536.
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MCOM - 6741 American Cinema (3)
A film studies course that covers American film history from the silent era to the present day. Students will learn how American films reflect and shape popular culture, the basic technical and critical vocabulary of motion pictures, how the technology of cinema relates to film art, the economic structure of the film industry, and how to watch films actively and critically. Equivalent to MCOM-541.
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MCOM - 6743 History of Film (3)
Explores historical stages of film and research important styles, genres and movements in each period. Reviews films relationships to history, society, economy and culture. Prerequisite: Prerequisite: MCOM-6702 or permission.
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MCOM - 6746 Advanced Video Editing (3)
Examines advanced techniques of non-linear digital video editing. Applies aesthetics and techniques of editing for film and documentary. Experimentation with special effects in motion graphics. Completes mastering of the final project to DVD or streaming video. Equivalent to MCOM-546. Prerequisite: Prerequisites: take MCOM-6734 .
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MCOM - 6748 On-Air Performance (3)
Addresses technical and aesthetic components of on-air performance. Includes opportunities for students to practice direction of on-air talent, critique performances, and develop on-mic and on-camera performance skills. Equivalent to MCOM-5748, MCOM-548.
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MCOM - 6750 Advanced Media Production (4)
Develops sophisticated use of production skills in a video facility. Particular attention is devoted to design and evaluation of lighting, audio, and post-production. Students produce a range of programs. Emphasis is on the conceptualization, planning, and execution of advanced television programs as well as the critique and assessment of their own work, the work of colleagues and professionally produced examples.
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MCOM - 6760 Corporate and Nontraditional Broadcasting/Non-Broadcast Television Operations (3)
Introduces the concepts of video, multi-media and emerging technologies; analyzing their use in non-traditional and corporate broadcasting for instruction, information, promotion, public relations and training. Examines media and Internet services provided by departments in businesses, educational institutions, medical facilities and government (including the military). Equivalent to MCOM-660.
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MCOM - 6777 Cinematography (3)
The art and techniques of cinematography for drama film and documentary as they relate to applied camera operation and lighting. The principles of the image making process, including still and motion picture photography. Masters advanced camera operation. Equivalent to MCOM-577. Prerequisite: Prerequisites: take MCOM-6702 or MCOM-6735 .
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MCOM - 7051 Journalism Seminar (3)
Examines a selected topic in journalism. Covers aspects of online and new media reporting, writing, and production. Emphasizes techniques for information gathering through interviews and scientific data collection and exploration of conceptual subjects. Topics vary by term. Equivalent to MCOM-751.
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MCOM - 7455 Media Management (3)
Examines management of broadcasting, cablecasting, and corporate media. Focuses on management functions in various-sized markets, including personnel, programming, community relations, and promotion. Also considers emerging challenges to managers, such as impact of new technologies, changing laws, and regulations. Equivalent to MCOM-755.
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MCOM - 7540 Trends in Communications Technologies (3)
Examines emerging communications technologies, applications and issues, including converging digital technologies and multi-media; the Internet and World Wide Web; communications satellites; video distribution systems including cable, video cassettes, and disks; and virtual reality. Also considers programming and content planned or available. Equivalent to MCOM-740.
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MCOM - 7725 Advanced Producing for Film and TV (3)
Students take on all the functions of the producer while undertaking the development of a feature film or television program. In addition to drafting a treatment, securing a property, and creating a budget and schedule, students develop a project that could become a feature production while attending the university or upon graduation. Equivalent to MCOM-725.
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MCOM - 7730 The Screenplay Project (3)
Intensive development and drafting of a feature dramatic or documentary screenplay project. Equivalent to MCOM-730.
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MCOM - 8003 Contemporary Issues (3)
A graduate seminar exploring a selected issue in media, communication, or popular culture. May be repeated for credit. Equivalent to MCOM-803.
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MCOM - 8030 Graduate Seminar in Media Communications (3)
Examines classic literature in mass communications as way of understanding origins and theoretical bases of the discipline, and as a way of assessing its current status. Considers the teaching of communications at various levels. Equivalent to MCOM-830.
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MCOM - 8700 Graduate Research (1-4)
Individual reading, research, and/or project in media communications under supervision of faculty. Equivalent to MCOM-870.
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MCOM - 8800 Internship (1-4)
Designed to provide the media communications student with supervised practical experiences in applied settings, both on and off campus. Students may work in specialized areas in Governors State University’s Digital Learning and Media Design Department. May be repeated. Equivalent to MCOM-880.
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Media Studies |
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MST - 2100 Introduction to Media Production (3)
Introduces the basic production techniques and broadcast concepts for video, internet streaming, multimedia, mobile, and emerging technologies. Examines the principles involved in production across platforms through hands-on production. Students apply skills learned on individual and collaborative productions.
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MST - 2101 Introduction to Media Studies (3)
Introduces students to the concepts and issues in the study of media including the “new” in new media technologies. Surveys the historical and material specificity of media technologies and resulting forms of social life. Engages students in critical debates on media, culture, and power and considers problems posed by new and old media objects and processes.
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MST - 2102 Digital Video Writing (3)
Introduces basic digital video writing techniques. Examines the principles involved in story development and structure with emphasis on digital video production concepts and multiple platforms. Apply skills learned on individual writing projects. Corequisite: take MST-2100 previously or enroll in concurrently.
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MST - 2104 On-air Performance (3)
Broadcast principles and techniques for introductory on-air performance are discussed and applied. Includes: creating, reading and delivering on-air performances for commercials, news, interviews, public service announcements and special events for Radio, Television and Web-based media. Instructional Method: Offered as a face-to-face course during Fall, Spring, and Summer terms. Equivalent to MCOM - 2700 On-air Performance (3) . Prerequisite: Prerequisites: Students in this course must meet MST admission classifications and requirements.
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MST - 2110 Media Forms (3)
Examines interrelated histories of media and technology (film, video, radio, Internet, electronic media) from the advent of print, through to digital computing, and into analogue, video, and the Internet. Emphasizes the influences of technology and functionality of the merging field of digital media on social, economic, political, and cultural systems in a global context.
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MST - 2120 Media Theory (3)
Examines media and emerging theoretical trends in western and non-western media thought. Considers the relevance of different theoretical approaches and methods, the problem of the Eurocentric nature of media theory, and questions assumptions of production, distribution, and reception. Examines the unique perspectives of the Chicago school of media theory.
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MST - 2130 Media Culture and Innovation (3)
Focuses on media and innovation in western and non-western emerging media cultures. Emphasises a foundational understanding of creative industries including media leaders, international media systems, culture policy, and world events, in the production of culture and innovation from the advent of film, through television, and into video and the Internet with a focus on contemporary media.
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MST - 3099 Global Media Literacy (3)
Develops students’ ability to be critical about and understand the media society they consume and produce, as well as digital media forms, culture, production, and dissemination. Emphasis is placed on the development of critical thinking skills and analysis skills useful for interpreting, producing and criticizing global and international media. Prerequisite: Prerequisites: MST-2100 and MST-2101
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MST - 3104 Playing Games (3)
Explores gaming. Whether we play board or multiplayer online games, gaming teaches collaborative problem solving, motivation, and strategic planning. Described as the sum total of all expressive mediums, some games are also as rich and meaningful as art and literature. Through substantial reading and gaming, students examine the evolution of gaming, the artistic, social, and economic impact of gaming and gaming practices.
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MST - 3212 Social Media (3)
Introduces literature about and direct experience of the new social media literacies. Emphasizes research foundations and practical methods to control attention, attitudes, and tools necessary for critical consumption of information, best practices of individual digital participation, and collective participatory culture, the use of collaborative media and methodologies, and the application of network know-how to like online.
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MST - 3213 Future TV (3)
Investigates the intersection of television with emerging digital technologies, globalization of media, many-to-many publishing and examines the commercial, public service, and autonomous (independent) aspects of this changing medium. Prerequisite: Prerequisites: take MST-2100 and MST-2101 .
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MST - 3214 Chicagoland Media (3)
A fieldwork-intense exploration of the creative media industry in Chicago. Develop an understanding of the different forms, interrelated histories, leaders, business models, and approaches to making Chicagoland media unique and Chicago a major media center. Prerequisite: Prerequisites: take MST-2100 , MST-2101 .
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MST - 3221 Social Design and Crowd Sourcing (3)
Emphasizes the study of socially and ecologically responsible design of products, tools, and community infrastructures. Global in focus, examines cases and practices of social design, the role of social design in political economy, connection with local and international systems of power, and information flow.
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MST - 3223 Virtual People, Gaming Practices (3)
Emphasizes the intellectual and conceptual underpinnings of online and virtual games by examining the sociological, philosophical, ethical, literary, technological, and economic aspects of design.
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MST - 3412 International Media Flow (3)
Examines the dynamics of the international and global flow of media. Focuses on understanding the dominant flows of media spread globally through the use of multi-national media conglomerates, as well as contra-media flows, and regional followings spread through transnational and geo-cultural networks.
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MST - 3730 Audio Production 1 (4)
Introduces students to professional audio production covering principles and techniques that are common to all types of production including film, television, radio and live sound. The primary focus will be on gaining a foundation in fundamental concepts of production and post-production audio. This course will also focus on production audio. Instructional Method: Offered as a face-to-face, LD Lecture-Discussion course during Fall, Spring, or Summer terms. Equivalent to MCOM - 4720 Audio Production (4) . Prerequisite: Prerequisites:MST - 2100 Introduction to Media Production (3) or equivalent, MST - 3740 Media Production Techniques: Field and Studio (4) or permission of instructor. MST-3740 may be taken concurrently.
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MST - 3750 Media Storytelling (3)
Introduces visual and aural storytelling concepts as well as new Web narrative technologies. Provides an appreciation for media literacy - the importance of knowing how to use digital technologies to communicate ideas in the media-rich interactive telecommunications environments of the 21st century. Requisite courses: Take MST-2100 . (Required, Previous).
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MST - 4070 Topics in Media Studies (3)
Examines topics in media studies. Focuses study through topic-focused readings, research, fieldwork and/or production.
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MST - 4100 Producing Across Platforms (3)
Introduces cross-platform (multiplatform) production techniques for video, web, and mobile devices. Examines the principles involved in producing across media platforms and incorporating interactivity into production design. Students will apply skills learned on individual projects. Prerequisite: Prerequisites: MST - 2100 Introduction to Media Production (3) and MST - 2102 Digital Video Writing (3) .
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MST - 4130 Writing for Multimedia (3)
Introduces multimedia writing and the techniques used for writing across “three Screens” TV, Web, and Mobile. Examines the principles involved in developing multiplatform, and interactive writing expertise. Students will apply skills learned on individual writing projects. Instructional Method: Offered online. Prerequisite: Prerequisites: MST - 2100 Introduction to Media Production (3) and MST - 2102 Digital Video Writing (3) .
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MST - 4220 Global Social Media and Change (3)
Explores the rise of social networking, its use to empower people, and the connectivity of mobile devices. Emphasizing the role of social media in systemic change from national revolution to international protests, local projects to global networks, and national to intergovernmental agency policy. Tracing contemporary origins of social media for change to current movements.
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MST - 4270 The Newsroom (3)
Emphasizes the information gathering skills used by working journalists. Examines the practices of a newsroom including real-world assignments, beat reporting, research, story-writing and multi-media production. Prerequisite: Prerequisite: Take MST-2100
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MST - 4420 Western Media Systems (3)
Examines the media systems in North America and Western Europe. Explores the development and the systems. Addresses the influence of cultural elements such as state involvement, partisanship, and journalism ethics on media systems and media event coverage.
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MST - 4431 Latin America Media Systems (3)
Examines issues related to major media channels (e.g., newspapers, television , Internet) in Latin America. Particular attention is given to governmental, economic, and cultural issues. Discusses issues such as gender, race, and cultural imperialism.
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MST - 4433 Bollywood Media (3)
Focuses on the world’s largest film industry in production and viewership. Provides a theoretical lens to help analyze and understand how Bollywood influences have grown beyond India and South Asia and to help globalize both the film industry and Indian media as a whole. Prerequisite: Prerequisites: take MST-2100 and MST-2101 .
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MST - 4434 Asian Media Systems (3)
Examines Asian media systems in politics, cultural, and economic contexts. Utilizes case studies and conceptual frameworks to understand issues and forces that shape Asian information and entertainment systems.
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MST - 4440 Media Globalization (3)
Explore concepts and hot topics affected by globalization, focused on three main foci: understanding key globalization concepts, challenging the notion of media globalization’s effects on the world, and exploring how media globalization affects the world’s sense of morality.
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MST - 4574 Directing for Screen and Stage (3)
Enables students to analyze a script or media proposal, develop a concept, and work with actors and technicians to realize that concept in a performance arena, such as a recorded medium, live stage, or virtual space. Students will analyze theatrical, media, and animation trends; innovators; theorists; and artists providing a foundation for writing, directing, and acting. Prerequisite: Prerequisites: take MST-2100 .
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MST - 4700 Independent Study (1-3)
Individual readings and/or project in media studies under the supervision of the faculty. Can be repeated for credit with different topic. Prerequisite: Prerequisite: Instructor permission.
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MST - 4730 Audio Production 2 (4)
Reinforces and expands upon the general knowledge of audio and basic production to encompass techniques of double system sound used in film production, explores some principles and practices involved in live audio production for broadcast, sound reinforcement, or studio recording. Extends into the principles and practice of mixing and advanced post-production techniques like ADR and basic sound design. Instructional Method: Offered face-to-face or online during Fall, Spring, or Summer terms. Prerequisite: Prerequisites: MST - 2100 Introduction to Media Production (3) or equivalent, MST - 3740 Media Production Techniques: Field and Studio (4) , and MST - 3730 Audio Production 1 (4) or MCOM - 4720 Audio Production (4) .
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MST - 4745 Public Media (3)
Focuses on the development, role, and function of public media utilizing local and region outlets. Combines study and production within the context of public broadcast media. Builds on skills in writing and production leading to the production of quality public media oriented content.
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MST - 4800 Internship (2-6)
Designed to provide students with supervised, practical experiences in applied settings. Prerequisite: Prerequisite: Instructor permission.
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MST - 4990 Social Laboratory (3)
Emphasizes collaborative project development , design, management, and the launch of social design focused multimedia; this senior experiential project based course is designed for advanced undergraduate students in the Media Studies program and other majors.
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MST - 4991 Senior Seminar (3)
In this capstone undergraduate course, students demonstrate what they have learned during their college career and hone multimedia media communication, production, presentation, and distribution skills by developing a digital portfolio of their work and completing an in-depth exploration of a media industry or field of interest.
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